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Vyacheslav Prikhodko painting — Contrast, oil on canvas, Ukraine, 1991
Vyacheslav Prikhodko painting — Contrast displayed in a minimalist interior
Vyacheslav Prikhodko painting — close-up of geometric rooftops and architectural forms
Vyacheslav Prikhodko painting — detail of layered brushwork and tonal contrasts
Vyacheslav Prikhodko painting — close-up showing composition and colour relationships

Vyacheslav Prikhodko — Contrast, 1991, Oil on Canvas, Ukraine

€2.500,00

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Vyacheslav Prikhodko — Contrast, 1991, Oil on Canvas, Ukraine

€2.500,00

A defining voice of the Transcarpathian School, Viacheslav Prikhodko (1940–2011) was above all a painter of Uzhhorod — its compressed rooflines, shifting light, and distinctive urban character. Neither fully abstract nor conventionally realist, he developed a visual language in which architecture became a vehicle for exploring colour, structure, and spatial balance. His paintings transform familiar streets and buildings into carefully orchestrated arrangements of geometric form and tone.

In Contrast, painted in 1991, dark rooftops and white walls press against one another across the canvas, held together by passages of ochre, blue, and shadow. The title is exact: not conflict, but opposition in equilibrium. Angular forms lock into a tightly organised composition, while subtle tonal shifts create depth and movement across the surface. The city remains recognisable, yet is distilled into a sequence of interlocking planes and colour relationships.

Signed in Cyrillic lower right; titled, inscribed, and dated on the verso with export stamp.

Details
Artist: Viacheslav Opanasovich Prikhodko (1940–2011)
Movement / School: Transcarpathian School
Title: Contrast
Date: 1991
Medium: Oil on canvas; signed in Cyrillic lower right; titled, inscribed and dated verso; export stamp
Dimensions: 80 × 80 cm (framed: 86.5 × 86.5 × 5 cm)
Origin: Ukraine
Condition: Good vintage condition. Light wear consistent with age and use.

Cultural Habits is a space for those who see objects not as possessions, but as silent carriers of meaning. Our curator's view is drawn to objects where aesthetic form meets cultural significance. When we see the balance of form and essence, we meet true beauty. An artifact is more than just an object. It is memory and thought embodied in an object. It is the ability of objects to tell stories — without words, through surface, weight, silence.

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